ETD Pilot

Items

• THE LUCRETIA LEGEND FROM LIVY TO ROJAS ZORRILLA.
• BERNARDIN DE SAINT-PIERRE, A PROBLEM IN AUTHENTICITY.
• THE METAMATHEMATICS OF REDUCTION: A PERSPECTIVE ON ONTOLOGY.
• CHARACTERISTICS OF THE CONTEMPORARY AFRICAN NOVEL OF FRENCH EXPRESSION: EVOLUTION AND DEVELOPMENT, 1960-1975.
• UNTERSUCHUNGEN ZUR PROSA HEINRICH VON KLEISTS UNTER BESONDERER BERUECKSICHTIGUNG DER BRIEFE UND NOVELLEN. (GERMAN TEXT).
• THE COMPREHENSION AND USE OF PROJECTIVE SPACE SEMANTIC RELATIONS DURING MIDDLE CHILDHOOD AND PREADOLESCENCE: IMPLICATIONS FOR THE ACQUISITION OFSPOKEN AND WRITTEN LANGUAGE.
• PURIFICATION AND PROPERTIES OF A DIACETYL REDUCTASE FROM ESCHERICHIA COLI AND A PRELIMINARY STUDY OF A FATTY ACID PERMEASE IN ESCHERICHIA COLI.
• THOMAS MANN'S SENSE OF PLACE: AN EXAMINATION OF THE JOSEPH TETRALOGY.
• RELIGION AND POLITICAL DEVELOPMENT IN TURKEY.
• WARNING AND SAFE SIGNALS IN THE MAINTENANCE OF RESPONDING UNDER NONCONTINGENT SHOCK.
• PHILOSOPHICAL AND RELIGIOUS BACKGROUNDS TO THE DRAMATIC OPPOSITIONS OF SHAKESPEARE'S "MEASURE FOR MEASURE.".
• REBUILDING LOWER MANHATTAN: 1955-1974.
• THE THEORY OF IDEAS IN THE PHILOSOPHY OF HUME AND REID.
• A PARAMETER ADAPTIVE APPROACH TO OCULOMOTOR SYSTEM MODELING.
• CORRELATION OF THE VAPOR PRESSURE ISOTOPE EFFECT WITH MOLECULAR FORCE FIELDS IN THE LIQUID STATE.
• THE SIGNIFICANCE OF THE ENERGY-VOLUME RELATIONSHIP E = -A/(V TO THE POWEROF M) IN THEORIES OF FLUIDS AND FLUID MIXTURES.
• HOW DO SPEAKERS PARSE TIME? PARAMETERS OF RHYTHMIC TEMPORAL PATTERNING IN NATURAL SPEECH OF NORMAL SPEAKERS, FORMER STUTTERERS, AND STUTTERERS.
• COPPER(II) COORDINATION COMPOUNDS WITH NUCLEIC ACID CONSTITUENTS.
• PUBLIC WORKS AND THE PATTERNS OF URBAN REAL ESTATE GROWTH IN MANHATTAN, 1835-1894.
• ROUSSEAU ON THE NATURE OF MAN IN "THE CONFESSIONS.".
• RABELAIS AND WOMAN.
• RELATIONS AMONG DEFECTIVE ARTICULATORY PATTERNS AND SELECTED MORPHOLOGIC AND SYNTACTIC PATTERNS IN FIRST GRADE CHILDREN.
• THE POETRY OF CONTINUITY: DRYDEN AS AN HISTORICAL POET.
• STONINGTON BOROUGH: A CONNECTICUT SEAPORT IN THE NINETEENTH CENTURY.
• A DEFENSE OF AN ICONIC THEORY OF MUSICAL EXPRESSION.