LINEAR ANALYSIS OF SELECTED POSTTONAL WORKS OF ARNOLD SCHOENBERG: TOWARD AN APPLICATION OF SCHENKERIAN CONCEPTS TO MUSIC OF THE POSTTONAL ERA (AND) STRING QUARTET, NO. 2. (ORIGINAL COMPOSITION).
Item
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Title
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LINEAR ANALYSIS OF SELECTED POSTTONAL WORKS OF ARNOLD SCHOENBERG: TOWARD AN APPLICATION OF SCHENKERIAN CONCEPTS TO MUSIC OF THE POSTTONAL ERA (AND) STRING QUARTET, NO. 2. (ORIGINAL COMPOSITION).
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Identifier
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AAI8629741
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identifier
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8629741
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Creator
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SMALDONE, EDWARD M.
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Contributor
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Henry Weinberg
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Date
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1986
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Language
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English
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Publisher
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City University of New York.
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Subject
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Music
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Abstract
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The analysis of posttonal music is approached through a method (which originated with Henry Weinberg) utilizing Schenker's approach to tonal music as a conceptual model. This method differs from all other methods of analysis in that voice leading is combined with a unique approach to nontonal harmony. The presentation of the analytical method is given a historical perspective through the analysis of "Jimbo's Lullaby," by Debussy. There follows detailed analyses of Op. 15 no. 1 (The Book of the Hanging Gardens) and Six Little Piano Pieces, Op. 19 by Arnold Schoenberg. Part II of the dissertation is an original composition, String Quartet, No. 2.;Three movements (Vibrant, Exalted, Recitative: Scherzo) for two violins, viola, and 'cello. Part I of this dissertation is an essay entitled "Linear Analysis of Selected Posttonal Works of Arnold Schoenberg: Toward an Application of Schenkerian Concepts to Music of the Posttonal Era.".
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Type
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dissertation
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Source
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PQT Legacy CUNY.xlsx
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degree
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Ph.D.
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Program
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Music
