El objeto invisible (Francisco Brines - Antonio Colinas). (Spanish text)
Item
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Title
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El objeto invisible (Francisco Brines - Antonio Colinas). (Spanish text)
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Identifier
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AAI9000717
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identifier
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9000717
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Creator
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Moliner, Luis.
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Contributor
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Adviser: Thomas Mermall
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Date
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1989
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Language
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English
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Publisher
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City University of New York.
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Subject
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Literature, Romance
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Abstract
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El objeto invisible tends to be a study about poetic reality in it's transcendental dimension. Beyond the daily reality, the poet gives a glimpse of the invisible, and the artistic depth of his work heads in that direction. When the object reveals itself in the words of the poet there is no longer an enigma but a revelation.;The analysis of El objeto invisible has been carried out by the work of two of Spain's contemporary poets: Francisco Brines (1932) and Antonio Colinas (1946). Both poets although belonging to different generations and with different approach to what we might consider here a second reality, have some characteristics in common which help our analysis. Both start from a classical and romantic tradition. They both share the same metaphysical approach which is concerned with knowing or in the last instance with being.;Methodological orientation will then be based inevitably on the metaphysical and will include the mystical.;The study of Brines' poetry ("La materia y el soplo") is divided into three sections: "Del conocimiento poetico", "Hacia un sistema del conocimiento" and "Metodos de conocimiento". They tend to be three phases in the exploration of the process of knowledge in his complete work, from Las brasas (1970) to El otono de las rosas (1987).;"Respirar" and "Variaciones sobre el centro" set two ways of researching Colinas' work, specially focussed in his last two books: Noche mas alla de la noche (1982) and Jardin de Orfeo (1988).
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Type
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dissertation
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Source
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PQT Legacy CUNY.xlsx
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degree
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Ph.D.
