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Items
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Russell Oberlin: His life and his voice.
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Ethnic fictions: Cultural mediations in contemporary American writing.
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The devil and Miz Cooper: "The Night of the Hunter" on page and screen.
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A rhythmic study of trios for violin, clarinet, and piano: Igor Stravinsky's "L'Histoire du Soldat" suite (1919), Aram Khachaturian's Trio in G minor (1932), and Bela Bartok's "Contrasts" (1938).
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Woodwind doubling: A historical survey and examination of performance problems and practices between saxophones, clarinets and flutes.
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La construccion de la imagen literaria de Carlos V en sus cronicas castellanas.
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Roma Gypsies' knowledges: Exclusion, struggles, and contacts with institutions in an Italian periphery.
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Design and analysis of wireless ad hoc routing algorithms.
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Narrative and program in the twentieth-century cello concerto.
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The piano chamber music of Maurice Ravel.
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The verbal morphosyntax of non -canonical contact languages: Malay -derived constraints and the inflectional domain in Afrikaans and Sri Lankan Malay.
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The staging of history in France: Characterizations of historical figures in French Grand Opera during the reign of Louis -Philippe.
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Rewriting the Troubles: Language, gender and agency in contemporary plays by women in Northern Ireland.
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The modern oboist's transition to the Baroque oboe: A guide for players and teachers.
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Armenian and American: The changing face of ethnic identity and diasporic nationalism, 1915--1955.
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In the divided kingdom: Gerard Manley Hopkins in his Celtic contexts.
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Reading Barthes/writing Twombly.
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Dimensions of prehistoric human occupation in the southern Ecuadorian Oriente.
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Nuyorican Vanguards, political actions, poetic visions: A history of Puerto Rican artists in New York, 1964--1984.
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Reconsidering the object of photography: German artists, curators and critics in light of "Documenta 5".
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Biological based routing algorithm for mobile ad -hoc networks.
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Process art and pictoriality: Reading the work of Robert Morris, Richard Serra, and Robert Smithson.
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Capturing the hike experience on video: A new methodology for studying human transactions with nature.
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Why can't there be a logic of discovery?
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Time as a structural element in the music of John Cage: A study of representative piano pieces.