Le bâillonnement de la revolution haitienne dans l'imaginaire occidental a travers des textes fictionnels des dix-neuvieme et vingtieme siecles
Item
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Title
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Le bâillonnement de la revolution haitienne dans l'imaginaire occidental a travers des textes fictionnels des dix-neuvieme et vingtieme siecles
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Identifier
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d_2009_2013:51ff03147aeb:11895
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identifier
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12525
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Creator
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Delne, Claudy,
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Contributor
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Thomas C. Spear | Ali Nematollahy
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Date
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2013
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Language
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French
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Publisher
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City University of New York.
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Subject
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Modern literature | Caribbean literature | Latin American history | Black history | American literature | Romance literature | BÂILLONNEMENT/OCCULTATION | FICTION | RÉÉCRITURE DE L'HISTOIRE | REPRÉSENTATION DU PASSÉ DANS LA FICTION | RÉVOLUTION HAITIENNE | SILENCING THE PAST
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Abstract
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Inspired by the study of Western historiography and the processes by which silence enters into history in Michel-Rolph Trouillot's seminal work, Silencing the Past: Power and the Production of History, this dissertation demonstrates that fiction can be used both for silencing the past and for rewriting it. This study focuses on seven novels, one short story and two plays published between 1798 to 2007: Adonis ou le Bon Negre by Jean-Baptiste Picquenard, L'Habitation de Saint-Domingue ou L'Insurrection by Charles de Remusat, Benito Cereno by Herman Melville, Les Nuits chaudes du Cap-Francais by Hugues Rebell, Drums at Dusk by Arna Bontemps, Le Royaume de ce monde (El reino de este mundo) by Alejo Carpentier, Monsieur Toussaint by Edouard Glissant, and the trilogy of the historical novel (Le SouleIvement des âmes, Le Maitre des carrefours, La Pierre du bâtisseur) by Madison Smartt Bell.;Building upon the works of Paul Ricoeur and Hayden White for whom historical and fictional narratives have more in common than they diverge, this dissertation shows how diverse narrative techniques in fictions representing the Haitian Revolution participate in the silencing of this Revolution, one of the most significant events of the Enlightenment that has left a legacy of centuries of ramifications upon world history.;This study reads fiction in a manner analogous to historical works, rewriting history. It examines a representative corpus of fictional texts through a close analysis of point of view, characters, tropes, metaphors and emplotments. This study explores the way in which writers of fiction use a variety of narrative techniques to represent the Revolution as an unthinkable event. It also shows how fiction can be not only history's ally, but also an effective medium for revisiting predominant views of the official version of the historical past.
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Type
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dissertation
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Source
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2009_2013.csv
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degree
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Ph.D.
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Program
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French
