Twelve-Tone Cartography: Space, Chains, and Intimations of "Tonal" Form in Anton Webern's Twelve-Tone Music

Title: Twelve-Tone Cartography: Space, Chains, and Intimations of "Tonal" Form in Anton Webern's Twelve-Tone Music
Identifier: d_2009_2013:bb97f08f81a0:12025
identifier: 12703
Creator: Moseley, Brian Christopher,
Contributor: Joseph N. Straus
Date: 2013
Language: English
Publisher: City University of New York.
Subject: Music | Anton Webern | Musical Space | Transformation Theory
Abstract: This dissertation proposes a theory and methodology for creating musical spaces, or maps, to model form in Webern's twelve-tone compositions. These spaces are intended to function as "musical grammars," in the sense proposed by Robert Morris. And therefore, significant time is spent discussing the primary syntactic component of Webern's music, the transformation chain, and its interaction with a variety of associational features, including segmental invariance and pitch(-class) symmetry. Throughout the dissertation, these spaces function as an analytical tools in an exploration of this music's deep engagement with classical formal concepts and designs. This study includes analytical discussions of the Piano Variations, Op. 27 and the String Quartet, Op. 28, and extended analytical explorations of the second movement of the Quartet, Op. 22, and two movements from the Cantata I, Op. 29.
Type: dissertation
Source: 2009_2013.csv
degree: Ph.D.
Program: Music

Media: Twelve-Tone Cartography: Space, Chains, and Intimations of "Tonal" Form in Anton Webern's Twelve-Tone Music