Transformational voice leading in atonal music.
Item
-
Title
-
Transformational voice leading in atonal music.
-
Identifier
-
AAI9732955
-
identifier
-
9732955
-
Creator
-
O'Donnell, Shaugn J.
-
Contributor
-
Adviser: Joseph N. Straus
-
Date
-
1997
-
Language
-
English
-
Publisher
-
City University of New York.
-
Subject
-
Music
-
Abstract
-
Since at least the time of Tinctoris, music theorists have been centrally concerned with both "vertical" pitch structures (chords or simultaneities) and the "horizontal" connections (voice leading) among them. In the study of twentieth-century music the former has received extensive coverage, while the latter remains substantially less explored. Over the last two decades, a small, but growing, number of theoretical and analytical works attempt to redress this imbalance, and "Transformational Voice Leading in Atonal Music" is my contribution to that effort.;As a point of departure I explore the analytical ramifications of interpreting operational mappings as contrapuntal voices. Finding that transposition and inversion cannot sufficiently account for the point-to-point motions of most musical surfaces, I probe the recent theoretical literature for alternative transformations. In particular, Klumpenhouwer networks and three singleton transformations--Forte's "unary transformations," Lewin's "if-only," and Straus's "near-transformations"--inspire me to develop and generalize a number of original "dual transformations." These theoretical tools coalesce in a voice-leading model that combines the mappings generated by dual transformations with those implied by recursive Klumpenhouwer networks. This transformational model offers multiple interpretations of musical passages that I organize into non-hierarchical levels of voices called "adjacencies" and "recursive structure.".;The remainder of the dissertation tests the analytical viability of my voice-leading model in the context of a wide variety of twentieth-century atonal musical literature. The nine analytical essays examine substantial excerpts or complete compositions by Babbitt, Bartok, Ives, Skryabin, Stravinsky, and Webern.
-
Type
-
dissertation
-
Source
-
PQT Legacy CUNY.xlsx
-
degree
-
Ph.D.
